The whirlwind of emotions rushing through Micali is intense. You do a fantastic job describing a woman torn between sorrow and rage, and the way Micali struggles with upholding what Rosa would want and what Micali herself wants is certainly relatable. The descriptions of how she relishes in the power she holds, the setting of the scene in Industria's manor particularly, it all reads very well. Action moments, brief though they were, are smooth and easy to visualize.
The chapter does unfortunately run up against a trope that I hate to see, and it's one that you see a lot, even in otherwise good storytelling: the protagonist has their enemy dead to rights, doesn't take their chance, and lets the target live. With Anima, I could see it, particularly if Micali was reluctant to kill someone in a hospital. With Gemma, it's harder to see: not only did Gemma betray her, she offered no redeeming reason for doing so. With Industria, it makes sense, it's sort of the pivotal decision between Rosa's and Micali's wants, but after having it happen twice before in the same chapter, it loses that significance.
It's still a fantastic build of emotion and tension, but I think showing Micali wavering more would have led to a stronger payoff. Instead, at this point, after choosing not to kill Gemma and not killing Viktor right away, Micali choosing to kill may seem out of place. We'll see in the next chapters, though.