Rob here, helping Chris out with some bomb-chika-waw-waw.
[Miho]
To Tentei… or blablabla: [49/61]
-First off: Get your names right. It’s Maikeru not Makieru, k?
Okay, that out of the way, here’s what I’m going to do: I’ll be focusing on one aspect of your grading this week, namely: dialogues and dialogue endings.
This problem seems to stem from your own language as I’ve looked it up a week ago. The thing with your language is… is that when you look at your writing from a Polish-grammar perspective… there’s nothing inherently wrong with it, but when you, instead, look at it from an English – which seems sort of logical, right? – perspective… there’s a whole bunch of things going on that aren’t supposed to.
For starters: - You were all told to meet me at the Southern Gate… Five minutes ago. I expect all of you to arrive here within the next ten minutes or I will personally see that you will suffer the consequences,echoed in Abe head voice of his vice-captain. -
Smack-dab, first sentence, first problem: this is wrong. You do not ever end your thoughts like this, especially if the thoughts were projected by someone else. What you have here is: Speech verb – preposition of place (where did the voice echo?) – name of person – massive confusion.
So, now, consider this: - You were all told to meet me at the Southern Gate… Five minutes ago. I expect all of you to arrive here within the next ten minutes or I will personally see that you will suffer the consequences,his vice-captain’s voice echoed through Abe’s head.
Here you have the person who actually said the thing to Abe first. This is a must. If you have someone else than your character process thoughts to you use a pronoun to indicate your character, in this case: his, and then place the person who said the words after it. Also, see that I wrote captain’s with an apostrophe s? Yeah, that’s because we’re indicating possession. Possession? Yes, the vice-captain possesses a voice, right? Right.
Murder on the Football Field: [64/71]
-British hate-rage aside, this was better than some of your other works, but still... the same problems reoccur here as well:
- “What was that?” asked almost crying a young girl that was hit by hollow.-
No.
This is, like I said, your most reoccurring problem. Whilst correct in, perhaps, Polish, as far as grammar is concerned, this is wrong when you look at it from, you guessed it, the English side.
There are multiple things wrong here so I’m listing them:
- Asked almost crying – So this girl almost asked someone something or she almost cried? What is this? This doesn’t make any sense, other than that it is wrong.
The correct way to write this sentence would be: a young girl – see what I did here? I put the person up front, remember this. Learn it, hate it, DO IT – cried – oho, so after you introduce the person who said the thing, you get how, in this case: cried... so you can dropped the almost crying part - , having been hit by a hollow.
“What was that?” a young girl cried, having been hit by a hollow.
So: <”Dialogue,”> <Person A/a young person/an elderly guy/an awesome girl/a hot babe/a cold dude> <said/asked/inquired/yelled/cried/sneered> <DESCRIPTIVES>
Okay?
PHA – Pro Horse Anticipation: [99/117]
- Honestly, Miho, this wasn’t too bad either, but again... it’s more of the same as far as your errors are concerned. You really need to work on your word orders. I cannot stress this enough. If you really have a heart for this place and want to achieve something... hammer those grammatical rules into your brain. There’s no other way for you to do this than to do it, to do it and to do it. So, I’m going to give you some ‘homework’ if you may.
I want you to write a chapter that has what I wrote above PHA,
( <”Dialogue,”> <Person A/a young person/an elderly guy/an awesome girl/a hot babe/a cold dude> <said/asked/inquired/yelled/cried/sneered> <DESCRIPTIVES> <<<<< THIS)
Alright? This is one way to get used to writing in the correct word order.
Anyway, keep up the good work and take 50 of the Division Bonus with you.
-Rob out.