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Grading Session for Week 213

swaswj

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Group 4- > Group 1 -> Group 5 -> Group 6 -> Group 2 -> Group 3 -> Group 4

Group 1: 1st / 5th Divisions
Group 2: 3rd / 7th / 10th / Quincies
Group 3: 8th Division
Group 4: 11th / 4th Divisions
Group 5: 12th Division / Vizards
Group 6: AHs



Deadline is 11:59:59 pm, EST, 2/28/2012.
 
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Hare - 198/206

There were a number of typos and awkward sentences in the Sayis collab.
He felt appalled at the idea of having Sayis kill him just to remove the bindings - Haresuno was despite, but not that so -, relieved that he was right in a general nature of the collars and his bindings - especially knowing they needed to be watch.

This one in particular stands out. I know that the collab was sprung somewhat suddenly and I ended up being slow with turns, but overall I think you portrayed Haresuno's reactions and madness well, tempering his irritation about the constant reminders against the respect for his former captain.

The meeting went well, although I think Hare had a bit too much fun trolling his new potential members. Not a lot of errors in these turns, although like I mention in Ryan's review, try to avoid going back to respond to everything in big open collabs. Gives a lot of back and forth.

Bittersweet Congratulations (3901) 92/98
Unstable Soil (2167) 106/108

Fin - 232/236

Surprising that Picca didn't give off a more threatening vibe to the thugs. She can't conceal reiatsu, after all. I like the characterization of her choosing to go for the long-term safety, if not perfect justice. There were a few small slips, like not capitalizing Seireitei and a slight tense issue with "the day after tomorrow she was packed."

In the Sayis/Picca collab, I like how you were consistent in portraying Picca's fear and paranoia, but I can't help but think that I want a self-refilling water glass now. The accusation against Sayis was particularly amusing!

In the Critters collab, I would have liked to see a more technical side to the tech along with envisioning, but the concentration and quirky off-handed nature of the training made up for it. Also, I find it a little amusing that Picca recorded the whole bit. She's just a bit of a voyeur, eh?

The Premises (1724) 82/86
Little Critters (3000) 75/75
Is It Over (3000) 75/75

Berri - 222/222

The interplay between Rainier and Rook is intriguing. In a way, it reminds me of Schrodinger in that Rook would be quite happy killing the man, but since he can't it serves as a sort of balance... albeit a sadistic, homosexually-inclined balance. I definitely like how you set up the statements and tone in the beginning, alluding to the "four" that Rook took care of. Even knowing from an OOG perspective the directions that you planned to take this backstory, I still found myself thinking that it referred to kills, until the reveal at the very end.

The chess collab... it was full of stylistic nuances like the ellipses and repetition of ideas. The inner thoughts of both characters were disjointed and frenetic, interspersed with the fluttering emotions neither of them knew how to express. The awkwardness, the uncertainty, the elation, all of it gave off a very realistic vibe. After the two have been seeing each other for around two years, it's about time!

75 Div Bonus

King and Castle (2040) 102/102
Control the Center (4800) 120/120

Ryan - 49/50

Raurys are simple creatures indeed. After spending all that time with Haresuno, you'd think Raury would not be the first person to set off a trap. Especially in open collabs, try to keep turns going forward -- don't do too much backtracking to catch everything that happened from your last turn to present.

Unstable Soil (1006) 49/50

Cheese - 46/46

I have to say that the shunpo off the unfortunate shinigami was probably the highlight of the collab. There wasn't much going on here, but it's refreshing to see Vincent back in action and putting an innocent spin on things. We're swamped with seriousness enough as it is.

Unstable Soil (910) 46/46

Nell - 205/207

In training collabs, sometimes it's all too easy to "get it" too quickly. So I'm glad to see that in the Little Critters collab, Yuurei struggled a lot just to get the imagery down and after a lengthy time of struggle, had only managed to get a slight transformation. Struggle is always a good way to build character.

The Chop collab was surprisingly cute and well plotted out. Your char had that familiar manic brattiness that adds a little levity to an otherwise serious situation. One thing to keep in mind, though, is that each district of Rukongai is the size of a city. You will not be reaching the 30th-35th district in just a few minutes of walking, and 5km will not cross multiple districts!

75 Div Bonus

Shinigami Chop (5285) 130/132
Little Critters (3000) 75/75



Tetsu - 105/108

You really set out to make this the most annoying thing I had to read today, didn't you? I don't think the two of you even spoke to each other. It's like you were both speaking at walls. Yes, it's in-character, but if I had to listen to that in real life, I'd have walked away, possibly after knocking you both upside the head. Tetsu, see how Sene did his dialog when it split paragraphs? Aside from one mess-up, that's how you should do it. You don't close quotes if the next paragraph starts with open quotes.

Sene, I'm not grading you, but... the past tense to "bear witness" would be "borne witness" not "bared witness." I also find myself highly concerned with Senesati responding to "three shinigami were just murdered behind your back" with Byakurai to the balls.

After Aftermath (4303) 105/108


My writing:
 
Right-o. Most of you have sent me links so watch this space!


Hiren

Aftershock: 56/56

As usual the writing mechanics are pretty much perfect. I am enjoying the interesting interplay between Ciro and Arano again. There's a sense of change and deepening in their relationship that I felt was well conveyed.

Dogma: 30/33

My only criticism is that its a bit short but you certainly have brought poor Ciro low haven't you? I like the way he's struggling with being a normal human being and the fact that the bottle was where he turned to deal with it. Sometimes the best character development happens when we royally screw with our characters.

Raph

Aftershock: 104/104

Nothing to say about the writing other than it is clean and doesn't have any major flaws in it. What I have been really impressed with of late is how you've developed Arano. The way he regards his shattered body, the pressures and burdens he faces and the struggle he's undergoing internally have all been well conveyed in your writing.

Isaaru

Phantasmagoria Zero: 65/70

I haven't had the pleasure of reading much of your writing so this was enjoyable. The 5 point deduction was simply due to some proofing issues like "a far" instead of "afar" and "acre" instead of "acrid". I find Leblanc engaging as a character and Gorosuke made for a good drunken ghost.

Rawb

Screaming to a Lost Cause: 52/54

Oh you do have style Mr. Rawb. I have to say that you are one of the most original voices on HD and for that I always enjoy your writing. I deducted a few points for the overuse of "..." but otherwise you did well and characterized Nana and her family interactions beautifully.

Dying for a Cause...: 50/52

This is an interesting way to write a pchap and while perhaps it wasn't my favourite, I appreciate what you were trying to do with it. The only deduction I made was slight for a bit of a proofing error, namely, "and though they letters, the strokes of charcoal were.." Yes I'm being pedantic but I have high standards when it comes to your writing.

Through the Streams...: 56/56

There was one small proofing error here too but you took the hit on it for the last one so I'll give you a free pass. I really thought this part was successful in giving us a sense of Nana's past. I hope you stick with her because I want to see where the character goes!

Forsaken Songs...: 51/51

Good. Again you are giving character insight and information in a distinctively written package. Right on!

For my grader: http://www.mangaden.net/forum/showthread.php?35732-C-V-Week-213-Masked-Reintroduction.
 
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Alright, So I'm helping out with various grading this week, getting my grading practice in while I still can XD

So Val and Sene, I'm grading the pair of you, This thread is so messed up this week XD

Val!

Kanezawa:
[80/81]

This was a good read, you got me interested in what it is that Shuku's been doing for the past few months.

The copper-haired vizard walked along the waterfront beneath the rising Sun and reddened sky.
I saw this a couple of times in this chapter, there shouldn't be a capitalization of the word "sun."

And then there was this...

Now then, where are we today? he questioned in his mind. While the area was still abundant with people, it didn’t seem to be as busy or chaotic as the previous couple of towns.

Where'd all the Italics go?

Anyway, other then that it was a great read and I enjoyed it. Now, moving on to the collab with Das Mewnish...

Masked Reintroduction:
[50/50]

Nothing wrong with this, and a good reintroduction collab. I didn't see any errors, at least none that blaringly stood out, and this was a good read. Full Points Broseph!

Also... Take 100 Div Bonar...

Sene!

After After After... etc...etc...
[108/108]

I didn't see any real errors in this thing, and it was an interesting collab to be sure. Is it just me, or does Sene not like Kono too much?

Gantz Voice: "One-hundred and eight points! No more points to go!"
 
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Hey, your not-so-in-the-mood-for-friendliness Rob here to fill in for the gap Van left!
Well, I'll only be grading Jesus for the time being because of time restraint, Mewn will do the rest. So, thanks in advance already, Karl.

Gésoos:

The Girl with the Clipboard: 107/111

Well, what can I say? Ayame is kind of a... hardass? I suppose it's not all sweets in the Third, and rightfully so.
I haven't really read any of your work due to my own time constraints, and laziness, but do I smell a love interest? :O
Hoho, but seriously though, it seems like Yamamoto-san is specifically giving Manzou a hard-time, yet still finds him adorable...

Oh, yeah! One thing you may want to look out for are the pesky ellipsis.

"...Huh?" is one word, "... Huh?" are two words.

I don't think you wrote down more words than you actually wrote, but try and look out for it. I know it's a stylistic choice, but change your final wordcount accordingly.

Other than that, it was pretty clean and I didn't see a whole lot wrong apart from a bit too much fluff from time to time. Something Alexis already told you about last week, so also look out for zat.

FF:MMN: 99/101

It seems like Manzou enjoys sitting on things at the start of a chapter/collab, lol.

Apart from a typo here and there, this was fairly cleanly written and it was kind of funny seeing you guys speculate about what kind of war we'd be prepping for.

All in all a decent collab from the both of you, but I gotta deduct some points for them typos man.

Not sure wtf's going on with Division Bonus, so until further notice I won't be handing it out.

Peace out.
 
Notes: Doc, not feeling so well atm but i will get you a turn today, might be later on tonight but I will get you one as well as return turns to those that are expecting them. Katie/Pho we complete you guys this week, k?
Kago:


A mandatory conversation (61/61):


Refer to Doc's Comments...


The Light of Truth (60/60):


I was interested in reading more then the collab ended. I wish I had more detail of this black band. Great writing from the two of you though. You and Pho both get this grade.


Path of the Blade (66/66):


Heh cross division sparring, I always dig that. I just feel this one was cut short in terms of the spar, but at least it had more meaning than just crossing swords. Also I spied a name drop of someone I miss dearly in the RP... Spike! Boy did he ever bring out the worst in sene, lol.


Don't forget you take the 100 VC bonus for helping me grade...


Doc:


First Born (60/62)


The only issues I had were 7th and 13th, not being wrote out and there were a couples of times where I had to re-read a sentence with italicized words to get the point of the emphasis when it was used.


A mandatory conversation (61/61)


This collab was entertaining, the interaction between the two of you was pretty sound also your turns very fluid and nicely done, minus a small typo which I blame Kago for in the beginning. I'm anxious to see what Kago's training will teach Gorou. I'm also really looking forward to a change of scenery when I start our collab, haha.


For the Sake of it (57/60)


Geez I swear I have a division full of alcoholics! I mean you, Addie, AND TOM!? What's the world coming to? u_u But really this collab was very smooth and fluid. Only thing I noticed, you used Gorou's name WAY too much, which can make a collab like this dull. However, as stated earlier that was not the case. In the future replace some of the Gorou's with some other descriptors or pronouns.


Tom:


For the Sake of it (60/60)


Refer to Doc's comments...


PS If you have anything else lingering out there, PM me please and I will grade it.


Doc, Katie, Pho, Tom, you all may have 25 division bonar.
 
Pho

Light of Blah Blah

Grade: 60/60
Comments:
You're only writing for this week was our collab. I guess I seem a little biased, but this worked out as a nice lead in collab to our current 3-person collab. See Sene's comments to me for additional detail.

Don't forget the 25 bonus bonar Sene awarded you!

Katie

The New Approach

Grade: 58/58
Comments:
This chapter was fluff. Not in the sense of it being bad, but more like it repeated alot of the things that happened in your last chapter.

In my opinion, this chapter is like a double-edged sword. You were able to convey how much Adelaide's encounter with Miyabi shook her, but at the cost of moving the plot forward. Although I see how Addie will be going to Yuurei next, there was very little development.

I look forward to where this is going though! n.n b

Don't forget the 25 bonus bonar Sene awarded you!


Tom

Unstabile Soil

Grade: 21/21
Comments:
So I'm grading this since Sene missed it.

You played your part well as Yukiko. Not much to comment on with so little writing. Just make sure to continuing using the 5th div NPC past this initial collab.


Albino

Dead Eyes

Grade: 57/59
Comments:
It's hard to follow different graders' writings when the grader switches different weeks. This chapter seemed to pickup somewhat after the last thing I read of yours. I wonder if the Greatest is there now?

I took 2 points off for a few different typos, the vagueness of your plot (didn't really understand where you were going with it), and the heavy dialogue. Also, you use little to no "he said" "she said" sorta stuff. While interesting, I reread a few sentences trying to figure out the speaker.

That's all!
 
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Celly: 995/1095

Over all this was a surprisingly good read from someone just starting out. You had a clearly outlined story that you progressed well, even if there were a few noticeable stylistic errors involving word choice and flow. More than anything however, I want you to know that while the story was enjoyable, you could have accomplished the same in about half as many words. Much of your narrative was dragging and overly fluffed to the point where I felt it actually detracted from the story you were trying to progress even though that in itself was solid. It is because of this that you lost the most points. The few errors that were there were trivialized by this one major stylistic faux pas.

There is something critical here that you have to understand about writing a short story like this: Show, don't tell. You need to draw the reader through the story by the interactions and actions of your characters. By throwing up so much internal dialogue and rich passages of description it made the whole thing drag on, and on...and on. You do not need to drive the same point home six different ways about how your character is having a hard time adjusting or how his memories coming back are driving him slightly mad. You need to show people that through his actions.

DETAILED VERSION
Prologue I: Overall, this was a very solid and well composed chapter. You introduced your story well and the first few paragraphs were charming and a nice way to start things off with the old man diving into his memory and then Celly's falling away. There were however a few awkward phrases (in my opinion) but they may just be stylistic difference.

but Celly had slept deeper and more fully that day than at any other point in his life.

I would probably have as "but Celly slept more deeply, more fully that day than any other day in his life." Just seems to flow better to me, this is again simply style so I deducted no points. Just watch out for awkward wording as there were a couple instances of it that jarred the flow.

Prologue II: While still quite good, I was less impressed with this chapter than the first one. There were markedly more instances of the awkward/redundant phrasing I was talking about earlier and, overall, the first 3/4 of it seemed to drag a tad. I think that chapter could have benefited from a solid revision and you probably could have conveyed the same message in half as many words. It might have been more powerful too.

That said, it picked up towards the end but was still rich in flowery prose. Either way, solid job.

Prologue III:
Ok, things picked up a bit in this chapter but still there was this sense of dragging the reader along. I really think you need to work on telling less and doing more, that alone will get you miles ahead in your writing.

However, the dragging feeling abated slightly during the fight sequence (lol @ "How are you sleep-walking?!" and "WHY are you so weird"...priceless questions) once that was over, however, you fell back into your way of telling the reader along the storyline rather than guiding them through it with character actions, choices and interaction. Seldom in a novel will you encounter long passages of pure prose. I think you'd benefit from removing some of the narrative that surrounded every instance of speech, doing that would help things progress enormously.

Prologue IV: The comments made above apply here as well. Beyond that there were no significant problems and the reading was pleasant. However...

He could spy small violet flowers smiling up at him, and the distant shadows of lust forestry. The atmosphere here was pink, light and filled with swirling oranges and soft pastel colors with the fragrance of roses and candy canes in the air.

Try not to let your description run away with you into the realm of horribly sappy. Just sayin'. Picked up a bit at the end with the psychedelic voice deal but still it dragged on because you stuffed words and description where there was no need for them.

Prologue V: This was better! ish. While you had more interaction and action it got lost amid your flowery prose yet again. Your work is enjoyable, but to bring it to the next level, you would have to cut out huge swaths of your writing to focus only on your character and letting their state of mine show through their actions and interactions rather than telling the reader about it.

Prologue VI: Marked improvement here. The first part was engaging with only a few sections of it dragging. The second part too was an improvement but you didn't need to spend several hundred words telling the reader about the Rukongai. Show them the Rukongai....you see a theme in my critique?

Prologue VII: THIS WAS SO MUCH BETTER THAN EVERYTHING SO FAR! Your interactions were crisp and clean for the most part, you drove the story through contemplation and relatively painless descriptive passages. Nice Job here.

Prologue VIII: As per above. I don't know if it is because you were getting tired when writing this, but for the most part your super flowery and overstuffed prose has for the most part dropped away. It's still there and I think it's really just kind of your style at this point, more than the overt fluffing that it was before. You made me want to read on after, so very nice job with this.

Prologue IX, X and Bonus I and II: (I'm lumping these together because my comments are getting increasingly repettive. If you want a compelte breakdown of each chapter let me know and I'll get you one). Better but throughout these chapters there were more instances of that awkward word choice and some of it got really dull as the narrative just dragged on and on with the action between characters being muffled by yet more prose.
Shady Business:
Aftershock (76/77): I should give you no points for saying "...the Ayers' and their insanity". Things would have been different if I'd stuck around to the end. Anywho, your portrayal of Kris was very realistic and engaging; a collab I enjoyed reading very much. Next time though, pick a bigger font size. My eyes are bad enough as it is...

Vanity Fair:
To Truly Know Someone (64/64): What can I say? You know your character inside and out; nice job on the chapter. Not going to go too much into detail since I don't know if you'll ever come to read this.
 
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Sick, exhausted. Gotta make this quick, sorry.

Twelfthies, y u no write? Tits now am sad.

Tod
Tod vs Kagor
Good. You seem to have not been paying attention to your own writing in parts though, such as when you failed to capitalize Seventh Division or the Maggot’s Nest. The fight went just as I expected it to. Good times good times.

[63/65]

P-Chap
No need to capitalize zanpakutou because its a thing, not a specifically named thing, just like how you don’t capitalize dog unless it’s actual name is Dog.

Additionally, no apostrophe needed when just referring to plural objects.

Your old capitalization habits keep popping up in this chapter which is odd considering you haven’t done it for like half a year.
[52/56]

You get all Div Bonar to do with it as you please.


Guest grader: Send me ur linkz
 
GROUP 4!!!

Okay just found out I was grading so if you don't see your name below tell me and I'll get you up as soon as I can. (Note: I work at a job with no comp so if you PM me late nothing will show up till tomorrow around 4 EST. Also due to the fact I just found out I won't doc you for hitting me with links late or anything.)

Comments are brief as I'm rushing!

Chrys:

re re con: I enjoyed the interaction with your sword's spirit and the way you said your goodbyes. I also liked the point of view on the zanpakutou souls presented by your spirit as points of view. I think Zak and Tets would get along, both drink and smoke...friend arew born of shared habits after all :). I saw no errors in writing and it all read well.

[110]

Beaks:

Open door: Why do I always get the feeling Tsubaki is wanting war? Can't wait to see her eat the Central alive. It was an enjoyable collab and all read well, didn't see any issues!

[215]

Swas

Open Door: Same as Beaks
Is it Over: I loved the first half of this chapter, just the interaction and the implications handed out. I know that it's probably part of your job but I like to see that the PM's do not exist in kind of a bubble that doesn't really matter outside of said PMs. This has to do with your interaction with Tsubaki as well and you're making me want to make a point of readin captain chapters.
[150]
Bittersweet: Good chap, everything well written, I'm taking it that this is the theme with this week's writing, following up Prometheus, sorry to keep these comments short but as yo know I'm grading late and just trying to get the numbers to you. [195]
Control Center: Again, sorry for my lack of comment here. No spelling errors, chap read very well. [240]


Everyone take 50DB points
 
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Cadders
130 / 132


Shinigami Chop! {5,285}
130 / 132

Heehee -- As Will mentioned in his review for Nell, this collab turned out surprisingly cute and entertaining.

=T NOT THAT I EXPECTED IT TO BE SERIOUS AND BORING, OR ANYTHING -- but still, I enjoyed it even more than I thought I would going in. Iga and Nashi struck a neat balance, with Igasho’s calm, serious way of investigating and Nashira’s...less than professional way of going about things. I like how the two of them ultimately came to the same conclusions in spite of everything, though. I also liked the fact that their mission didn’t require anyone getting their faces murdered despite the two shinigami being described as ‘assassins’ (SO I ASSUME THEY ARE ASSASSINS, HERPIDERP).

And I especially liked Igasho’s idea for taking down their target.

Genius.

Your writing style is really comfy and....down-to-earth, I think. ouo You know how to keep things engaging without sacrificing the little details, which is a really good thing to be able to do. Igasho’s interactions with the younger children really stood out to me, and I definitely enjoyed reading it.

GRAMMAR-WISE, I only caught one or two little slip-ups. On occasion you can get a little bit comma-happy.

As the assassin approached, he could see that one was not empty, but in fact, taken by the tiny girl, Nashira, he had become acquainted with some time ago.

Here, for example, the plethora of commas tripped me up.

And the funny thing is, you actually forgot a comma if we’re being technical. It should read:

As the assassin approached, he could see that one was not empty, but, in fact, taken by the tiny girl, Nashira, he had become acquainted with some time ago.

Although to be honest, I might’ve broken things up a little more to avoid overpopulating that sentence with commas. Too many pauses can make writing feel halting, which is no good, rather than natural, which is what we’re going for.

I think.

In any case, good work! Keep up the writing, broski. <3



-Sincerely, Ink "RAISIN BRAN IS AS CLOSE TO HEALTHY AS I GET” berri
 

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