Amadeus
New Member
Gitsuki Kirema
Form: [ Kurotenshi ]
A monstrous creature that may have been considered horrifying were it not for the utterly elegant way in which it levitates across the battlefield. Its body, although about twenty meters tall, is similar to what a female human body would look like if it was carved from obsidian and fused into a triangular pose. The angel’s palms are pierced through with a stake, are facing upward and overlapping in front of its belly, and its are eyes covered with cloth. The gigantic statue’s hair is much longer and larger than the statue itself, and it perpetually floats above and behind Gitsuki Kirema in the wake of the statue’s movement like an oversized pair of wings. While they are called “hairs”, each strand is more comparable to an inch-thick cord woven of innumerable metal wires. The strands of the bankai’s hair float in distinct segments, each slightly longer than the one before it, and each imitating the general shape of a butterfly’s wings. The hair is primarily black except for the greatly sharpened tips, which are emblazoned with luminous gold. Two main ‘tendrils’ of hair, each composed of a dozen cords, extend down on either side of the blind woman’s face.
Although the hairs generally move with slow elegance, they can also be twisted into spiral curls, which store kinetic energy and allow the hairs to be used almost like projectiles, rapidly extending out to their normal length with intense skewering effect. While curling themselves, the hairs adopt the glowing golden aesthetics of their tips. Since the hair is shaped like a series of increasingly large wings, each can ‘close’ over increasingly large portion’s of the statue’s body like a defensive shield, with the last wings wrapping the statue in a thick cocoon of wires.
Although the hairs generally move with slow elegance, they can also be twisted into spiral curls, which store kinetic energy and allow the hairs to be used almost like projectiles, rapidly extending out to their normal length with intense skewering effect. While curling themselves, the hairs adopt the glowing golden aesthetics of their tips. Since the hair is shaped like a series of increasingly large wings, each can ‘close’ over increasingly large portion’s of the statue’s body like a defensive shield, with the last wings wrapping the statue in a thick cocoon of wires.
Ability: [ Kyoutenshi ]
Just above the statue’s breasts is a faintly glowing gray ring, vaguely reminiscent of the moon. For the first three rounds of battle, this circle becomes glowing white, portions of the circle becoming white in an imitation of the moon’s phases. After Gitsuki Kirema has been deployed for three full rounds, the moon becomes full and the rest of Gitsuki Kirema’s body becomes entirely mirrored, aside from the glowing tips and the curled hairs. From this point until Gitsuki Kirema collapses or re-seals, the Bankai is gifted with the ability of spatial manipulation. By marking the points of a geometric shape with the tips of different hairs, Gitsuki Kirema defines the space to be altered, which must necessarily be defined by a geometric shape prior to use. Gitsuki Kirema can instantly shift its own position at the cost of 500 Reiatsu per meter distance from its original location, or shift Zhukov’s at a cost of 300 Reiatsu per meter. Furthermore, defined spaces can be similarly displaced at the cost of 100 Reiatsu per cubic meter per meter distanced. Reiatsu-emitting beings can be displaced, but only in their living entirety. None of Gitsuki Kirema's attacks can be used until after the three-round period has passed.
This spatial manipulation does not affect the density of matter, so transmissions cannot be teleported past barriers of any sort, but rather smashes into said barrier like a train into a massive granite cliff. Gitsuki Kirema’s spatial manipulation ability can only be used within forty meters of the bankai form itself.
This spatial manipulation does not affect the density of matter, so transmissions cannot be teleported past barriers of any sort, but rather smashes into said barrier like a train into a massive granite cliff. Gitsuki Kirema’s spatial manipulation ability can only be used within forty meters of the bankai form itself.
Attack: [ Eizou ]
While in its mirrored form, and by paying 1.5 times the cost of a given projectile, Gitsuki Kirema can spatially reverse the path of a ranged attack, sending it straight back at its point of origin. This is evidenced in a distinct ripple surrounding an incoming projectile, followed by a full-on reversal of its motion. This reversal can only occur after a projectile has crossed half of the distance between its origin and its target, and is within 30 meters of Gitsuki Kirema.
Attack: [ Joutou ]
The only one of Gitsuki Kirema’s abilities and attacks that manipulate time rather than space. At an expense equal to 10% of the target’s Reiatsu and Reiatsu in increments of 100 to fully enclose the target, Gitsuki Kirema can send the target into the future, at the cost of 1000 Reiatsu per hour ahead. The target must be within 20 meters of Gitsuki Kirema.
Attack: [ Saikou ]
At the cost of 10% of Zhukov’s Reiatsu, a spherical area ten meters in diameter is crushed into the size of a marble. This is not simple compression of matter, but also compression of space; the area surrounding the compressed zone warps and distorts itself to fill in the crushed area. When used on spiritual beings, limbs are stripped of their flesh, bones are twisted and snapped in the direction of the crushed area’s core. A direct hit, centered on the target’s Hakusui, can fold a being into a hole in space, trapping them in a pocket dimension.
Vizard Attack: [ Kezuru ]
At the cost of 10% of Zhukov’s Reiatsu and 20% of his Rage, and the generation of 15% Emptiness, the spherical volume surrounding Gitsuki Kirema’s core, out to a distance of 20 meters, is separated in stratifications of several centimeters, turning the entire environment into the leftovers of a crazed sushi man’s work. These striations rotate instantly around Gitsuki Kirema, instantly rendering organic and inorganic beings and objects alike utterly unrecognizable.